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A Hierarchy of Labels

This article originally appeared in Exchange, a newsletter published by the Wisconsin Historical Society. (Volume 24, Number 4, July/August 1982) It is the sixth in a series of articles titled Exhibiting Local Heritage. The series features information about planning, designing and constructing interpretive museum exhibits. This article was written by Tom McKay, retired local history coordinator for the Wisconsin Historical Society.

Interpretive exhibits have a story to tell. The exhibit that tells its story successfully does so through the effective organization of label information and historic materials. Understanding the relationships of labels to one another and to historic materials is one of the keys to good exhibit work. These relationships can be expressed through a hierarchy of labels.

Interpretive exhibits have four types of labels. An easy way to remember the four is to use terms that indicate the nature of each type of label. The four types of labels are: title, keyword label, detail label, and caption.

Every interpretive exhibit should have a title. The best titles are interesting, clear and usually brief. An exhibit title needs punch to help attract the visitor. A title for an exhibit on facing winter in the 1800s might be Smithville's Long Winter. Some exhibit titles require the clarification of a subtitle, for example Ribbons of Steel: The Railroad Comes to Smithville.

Keyword labels summarize with a phrase each main concept in the exhibit. Each section of an exhibit that introduces a main concept begins with a keyword label. These labels constitute the most important type of written information in an interpretive exhibit because they introduce the main ideas. Even the most casual visitor reads the keyword labels, and they are the indispensable guideposts for the more seriously interested visitor. The exhibit on Smithville's Long Winter provides three good examples of keyword labels. "Ice and Snow for Industry" would be a phrase introducing the Smithville logging industry and summarizing its dependence on winter conditions to skid logs out of the forest. On the other hand, "Surviving Winter's Blast" would characterize the struggle against the hardships of winter faced by early Smithville residents. "Winter Wonderland" would examine past wintertime recreation. These three phrases used as key word labels represent each main concept in the exhibit.

Detail labels can be thought of almost like evidence. They are very brief paragraphs that present the information supporting or explaining a concept. A detail label serving as an introduction usually accompanies the title of an exhibit. Each section of an exhibit has a keyword label and one or two detail labels. Returning to our example, the section "Surviving Winter's Blast" might have the following detail label:

"Smithville's early residents used abundant local stands of oak and hickory as their chief source of heat. Even so, long winter's nights made hand-sewn quilts the standard bed covering. Business records of the Smithville general store show a brisk business in woolen garments of all kinds."

The historic materials used in an exhibit also constitute a portion, indeed the essential portion, of the evidence supporting concepts. As a consequence, the detail labels must be closely coordinated with the objects, photographs and documents in an exhibit. There is a simple rule to remember: What you say, as written in detail labels, is what they see, as represented by the historic materials. Following this rule, the detail label above might be accompanied by a cast-iron stove, an old photo of a wood pile, a quilt, pairs of woolen mittens, and an account book from the Smithville general store opened to an appropriate page.

Captions are a final type of label that may appear in interpretive exhibits. Captions identify specific photographs or artifacts. The use of captions should be restricted to items that are unfamiliar to most visitors. Littering an exhibit with captions disrupts the visitor's attention to concepts; and in the case of the great majority of recognizable materials, they are simply unnecessary. There is no need for a caption that says "woodpile" on a photograph of a woodpile.

Understanding the hierarchy of labels is a basic step in learning to prepare successful interpretive exhibits. It leads to the ability to introduce a topic, summarize main concepts, and provide supporting written information carefully coordinated with the historic materials that are unique to the educational process in interpretive exhibits.


 

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