Encore! The Renaissance of Wisconsin Opera Houses

By Brian Leahy Doyle with Photographs by Mark Fay

Hardcover: $29.95

ISBN: 978-0-87020-430-2

272 pages, 187 color and b/w photos and illus., 8 x 10"

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A remarkable number of Wisconsin towns and cities were home to an opera house in the late 1800s and early 1900s. Some were freestanding structures built by local benefactors, industrialists, and capitalists. Others were located within a city hall building and financed by local tax dollars with the support of government officials who believed in the value of the arts for their community.

Some of the biggest names in theater and vaudeville graced these Wisconsin stages: Marion Anderson, the Barrymores, Sarah Bernhardt, Enrico Caruso, George M. Cohan, Gracie Fields, Mario Lanza, Jenny Lind, Alfred Lunt and Lynne Fontanne, the Marx Brothers, Sir Laurence Olivier, Bill "Bojangles" Robinson, Arturo Toscanini. But these theaters - especially those in smaller, rural towns - also served as "a public space for town meetings, lectures, political speeches and rallies, proms, high school graduations, church bazaars, and even basketball games," notes Brian Leahy Doyle.

Doyle chronicles the histories of ten Wisconsin opera houses and theaters, from their construction to their heydays as live performance spaces and through the periods when many of these stages went dark. But what makes these stories so compelling is that all but one of the featured theaters has been restored to its original splendor. Just as the beginnings of these theaters were often the result of the efforts of local citizens, Doyle discovers that their restoration is due to the commitment of dedicated and passionate people. More than one of these revived theaters has spurred the revitalization of its surrounding downtown business district as well.

Mark Fay's photographs capture the essence of these structures, from the austerely handsome to the magnificently ornate opera houses.

"Encore!" is the second book in the Places along the Way series. Richly illustrated with historic and contemporary photos, the Places along the Way series links Wisconsin's past with its present, exploring the state's history through its architecture.

To receive a review copy or press release, to schedule an author event, or for more information contact the WHS Press Marketing Department: whspress@wisconsinhistory.org.

Brian Leahy Doyle, MFA, is a theater director and theater historian. He has been a member of the faculty at Lehman College, City University of New York, and St. Cloud State University. He is affiliated with such professional theaters as the Pioneer Theatre Company, the George Street Playhouse, theWhole Theatre, Louisville's Classics in Context Festival, Riverside Shakespeare, the Irish Arts Center, Makor/92nd Street Y, and the Lovinger Theatre. A native of Shullsburg Wisconsin, Doyle currently resides in New York.

Mark Fay of Eau Claire has been a professional photographer since 1981. The focus of his business, Faystrom Photo, is architectural photography. Visit Mark Fay's website at www.faystromphoto.com.

Awards
2009 ForeWord Reviews' Book of the Year Award

Silver Medalist in the Regional Category

2009 Midwest Independent Publishers Association's Midwest Book Awards

Finalist in the Arts Category
Finalist in the Midwest Regional Category 
Finalist in the Three-Color Cover Category

2010 National Indie Excellence Awards
Winner in the Regional Nonfiction Category

2010 Next Generation Indie Book Awards
Finalist in the Travel/Travel Guide Category

2010 Theatre Historical Society of America
Winner of the Outstanding Book of the Year Award

2010 USA National Best Book Awards
Winner in the Performing Arts Category

Author Interviews
Click on this link to listen to Brian Leahy Doyle's interview on the Milwaukee Public Radio program "Lake Effect." This program originally aired on Monday, November 16, 2009.

Click this link to listen to author Brian Leahy Doyle's radio interview on the "Larry Meiller Show." This program originally aired on Tuesday, September 29, 2009 on Wisconsin Public Radio's Ideas Network.

Praise
"Written by theater director Brian Leahy Doyle and profusely illustrated by photographer Mark Fay, 'Encore' is a reminder of a time when an opulent performing arts center was considered a greater community asset than a sports arena." David Luhrssen, "Sheperd Express"

"In 'Encore,' Brian Leahy Doyle and Mark Fay present dazzling reasons to pause, look and be awed by remarkable opera houses that have been or are being restored in 10 Wisconsin communities. From Menomonie to Milwaukee to Viroqua, these centers of entertainment, lecture, music and learning are elegant testimony to a civic investment in the human spirit."
—Gary Knowles, "Dane County Lifestyles"

"The book is extremely readable. Informed and scholarly without being over laden with facts and figures, it is written with the enthusiasm of one who has a feeling for the theatrical hurly-burly that these buildings once knew. Doyle not only gives us a thorough description and account of each theatre, but investigates the various diverse communities for whom these buildings were created. Equally impressive are Mark Fay's photographs. Capturing the interior of a theatre is a challenge that not all photographers (and that certainly includes myself) manage to rise to. Fay's images are bright and impressive, beautifully lit, and atmospheric." —Jeff Clarke, "Theatres Magazine"

"'Encore! The Renaissance of Wisconsin Opera Houses' is a must-have book for theater professionals and lay people interested in theater history and the cultures that nurtured it. Every state should have such a tribute to America's theater heritage. 'Encore!' also honors the communities and individuals who have restored these jewels for the pleasure and enrichment of audiences for decades to come." Richard L. Poole, chair, Briar Cliff University Theatre Department, and coauthor of "The Opera Houses of Iowa"

"Brian Leahy Doyle's straightforward, enthusiastic writing style and impeccable research reveal an earnest affection not just for the opera houses of Wisconsin but the economic and migratory history of the mid-American frontier. This meticulously researched study with many attractive, telling images is an entertaining, illuminating read." Rhona Justice-Malloy, editor of "Theatre History Studies," and chair, University of Mississippi Department of Theatre Arts

"Both a popular history and academic study, 'Encore!' is an institutional and cultural history of the first order. It combines economic history, architectural history, demographics, and the aesthetic movements of late-nineteenth-century American drama into a panoramic narrative of Wisconsin's vibrant, dramatic past and its vital contemporary restoration." —Henry Veggian, Department of English and Comparative Literature, University of North Carolina at Chapel Hill

"Working as an actor in Wisconsin, I've had the privilege of performing in the Pabst Theater in Milwaukee and the Grand Opera House in Oshkosh. While on tour with American Players Theatre, one of my favorite things to do while playing the Pabst is to walk new actors in through the stage door off Wells Street, walk them out onto the stage, and wait to see the look on their faces. They usually do not speak for a few moments. Brian Leahy Doyle does the same for his readers. He walks us through the stage doors of opera houses throughout our state, takes us behind their curtains, onto their stages, into their houses, and down to their dressing rooms. He also takes us into the lives of the men and women who designed and built these beautiful theaters, and the communities that enjoyed them. 'Encore!' is full of the wonder and respect these 'Grand Old Ladies' deserve, and a fascinating account of the theatrical history of our state." James DeVita, American Players Theatre

"Perhaps most impressive is the way the ten chapters, each devoted to a specific opera house in a different town, segue seamlessly from evocative descriptions of the local topography and early settlers to the circumstances that brought about construction of these venues to loving descriptions of their special features, along with representative samplings of the kinds of fare that filled them, to the years of neglect and near-demolition, followed by the heroic efforts that preserved and restored them." —Felicia Hardison Londré, "Theatre Journal"

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